The prerequisite of originality is the art of forgetting, at the proper moment, what we know.

The prerequisite of originality is the
The prerequisite of originality is the
The prerequisite of originality is the art of forgetting, at the proper moment, what we know.
The prerequisite of originality is the
The prerequisite of originality is the art of forgetting, at the proper moment, what we know.
The prerequisite of originality is the
The prerequisite of originality is the art of forgetting, at the proper moment, what we know.
The prerequisite of originality is the
The prerequisite of originality is the art of forgetting, at the proper moment, what we know.
The prerequisite of originality is the
The prerequisite of originality is the art of forgetting, at the proper moment, what we know.
The prerequisite of originality is the
The prerequisite of originality is the
The prerequisite of originality is the
The prerequisite of originality is the
The prerequisite of originality is the
The prerequisite of originality is the

In this quote, Arthur Koestler argues that the key to originality lies in the ability to forget certain things at the right moment. He suggests that in order to create something truly new or innovative, we must momentarily let go of the knowledge, assumptions, and patterns we've learned. By freeing ourselves from conventional thinking or established norms, we open the door to creative possibilities and fresh perspectives.

Koestler’s idea challenges the common belief that originality comes solely from adding new information or ideas. Instead, he proposes that it often comes from releasing or overlooking what we already know in order to see things from a different angle. This ability to forget allows us to approach problems or artistic endeavors without the constraints of previous experiences, enabling new solutions or creative expressions to emerge.

The concept of forgetting isn’t about losing knowledge but about choosing when to set aside what we already understand, allowing us to think beyond the usual limitations. Koestler’s point is that true creativity involves both the retention of knowledge and the wisdom to discard it when necessary. It’s the balance between what we know and what we are willing to unlearn that fosters innovation.

Ultimately, Koestler’s quote highlights the dynamic nature of creativity. It suggests that originality often comes not just from discovering something new, but from the courage to forget or challenge familiar ideas, making room for breakthrough moments of insight and artistic invention.

Arthur Koestler
Arthur Koestler

Hungarian - Novelist September 5, 1905 - March 1, 1983

Have 5 Comment The prerequisite of originality is the

BPPhuc Thinh Bui Pham

This quote makes me curious about the role of intuition in creativity. Is Koestler saying we need to trust our instincts more than our accumulated knowledge? In a world obsessed with credentials and data, that feels kind of radical. But maybe he’s right—sometimes breakthroughs come from moments when we abandon logic just long enough to imagine something no one else has dared to.

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DDDo Doanh

I love the paradox in this quote. It implies that to truly create something new, we sometimes need to unlearn. That resonates with me as a writer—I often find my best work comes when I stop trying to sound 'right' and just play. But is forgetting always a conscious choice? Or is it more about reaching a state of flow where instinct takes over and knowledge steps aside?

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Aanniecutewasss

Koestler’s point feels both poetic and practical. But is it really possible to 'forget' what we know, or is it more about temporarily suspending judgment and assumptions? In highly specialized fields, where deep knowledge is key, does this idea still apply? How do experts stay open to original thought when they’re trained to rely so heavily on established frameworks and logic?

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TTrang

This quote hit me hard as someone who overanalyzes everything. It makes me wonder if too much knowledge can actually block originality. Like, are we so conditioned by rules and 'what works' that we can't imagine what hasn't been done? Maybe forgetting isn’t about erasing, but quieting the noise so new ideas can surface. Could this also be why beginners sometimes stumble onto brilliant insights experts miss?

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TDNguyen Dong Thuy Duong

Koestler’s quote really intrigues me. It suggests that creativity isn't just about learning new things, but also about intentionally letting go of what we've already absorbed. But how do you know when to forget and when to remember? Isn’t that a risky balance? Forgetting too much might lead to ignorance, while clinging to what we know could limit innovation. Where do we draw the line between wisdom and mental flexibility?

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