You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.

You can calculate the worth of
You can calculate the worth of
You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.
You can calculate the worth of
You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.
You can calculate the worth of
You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.
You can calculate the worth of
You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.
You can calculate the worth of
You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.
You can calculate the worth of
You can calculate the worth of
You can calculate the worth of
You can calculate the worth of
You can calculate the worth of
You can calculate the worth of

The quote "You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it" by Gustave Flaubert reflects the idea that criticism and opposition are often indicators of significance and impact. Flaubert, a French novelist known for works like Madame Bovary, suggests that when someone or something elicits strong reactions—especially negative ones—it often signals their relevance or influence. In this sense, the more enemies a person has or the more harm is spoken about a work of art, the greater its potential importance in society.

Flaubert’s comment about enemies implies that those who challenge the status quo or stand by their beliefs often attract criticism or opposition. A person who has numerous enemies is often one who has made bold decisions, created change, or upset established norms. In this context, enemies are not necessarily a mark of failure but a sign that the individual’s actions have had an impact, as people tend to resist what threatens their interests or beliefs.

Similarly, Flaubert’s observation about art suggests that works of art that provoke strong negative reactions are often those that are most important or revolutionary. The harm spoken of a piece of art—whether through harsh criticism or public rejection—can reflect its ability to challenge conventional ideas, provoke thought, and stir emotions. Art that does not stir such reactions may be seen as lacking the power to move or influence society.

In essence, Flaubert’s quote argues that opposition and criticism are often signs of significance. Both people and artworks that inspire such responses have the potential to shape the course of history and culture. By challenging norms, they provoke reflection and conversation, marking their importance in the larger narrative of human progress and creativity.

Gustave Flaubert
Gustave Flaubert

French - Novelist December 12, 1821 - May 8, 1880

Have 5 Comment You can calculate the worth of

PTNguyen Phi Thieu

I find this quote both insightful and problematic. It romanticizes conflict as a measure of worth, which is appealing in a rebellious way. But what about those who create harmony, uplift others, or innovate quietly? Are they somehow worth less? Also, criticism can sometimes stem from misunderstanding or bias. Shouldn’t we be cautious about equating negative reception with depth or brilliance?

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TDdang tien dung

What Flaubert says feels very Nietzschean—almost like the more powerful you are, the more resistance you’ll naturally draw. I wonder if that’s a universal truth, or if it’s more applicable to specific historical contexts. In today’s digital world, people get criticized for everything and anything—does that dilute the meaning of criticism? Or is it still a valid sign of influence and originality?

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ANAnh Ngoc

This is such a provocative quote. I think it challenges our modern obsession with approval and popularity. If we measured value by criticism rather than likes, would our cultural priorities shift? Maybe we'd respect bold voices more, even if they’re uncomfortable. But it also raises ethical questions—does seeking enemies or controversy become a goal in itself, rather than a byproduct of truth or artistry?

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DVDuong Vu

I'm torn about this idea. On one hand, I get it—pushing boundaries often means making enemies. But isn’t it also possible to create meaningful work and still be widely appreciated? Should the worth of art really be tied to how much it's criticized? That feels like a dangerous metric, especially in a time when outrage can be manufactured or misdirected. I’d love to hear other interpretations of this.

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NNNguyen Ngoc

This quote makes me wonder if controversy is actually a sign of impact. Are great people and groundbreaking art inherently destined to attract criticism? It seems like Flaubert is suggesting that value comes not from universal praise, but from provocation. That feels very relevant today—especially with how polarizing public figures and art can be. But does this mean that something uncontroversial is less important or simply overlooked?

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