You know, my friends, with what a brave carouse I made a Second Marriage in my house; favored old barren reason from my bed, and took the daughter of the vine to spouse.

You know, my friends, with what
You know, my friends, with what
You know, my friends, with what a brave carouse I made a Second Marriage in my house; favored old barren reason from my bed, and took the daughter of the vine to spouse.
You know, my friends, with what
You know, my friends, with what a brave carouse I made a Second Marriage in my house; favored old barren reason from my bed, and took the daughter of the vine to spouse.
You know, my friends, with what
You know, my friends, with what a brave carouse I made a Second Marriage in my house; favored old barren reason from my bed, and took the daughter of the vine to spouse.
You know, my friends, with what
You know, my friends, with what a brave carouse I made a Second Marriage in my house; favored old barren reason from my bed, and took the daughter of the vine to spouse.
You know, my friends, with what
You know, my friends, with what a brave carouse I made a Second Marriage in my house; favored old barren reason from my bed, and took the daughter of the vine to spouse.
You know, my friends, with what
You know, my friends, with what
You know, my friends, with what
You know, my friends, with what
You know, my friends, with what
You know, my friends, with what

This quote comes from Omar Khayyam, a Persian philosopher, mathematician, and poet, best known for his collection of quatrains, the Rubaiyat. In the line, Khayyam reflects on his decision to marry for a second time. The phrase "brave carouse" suggests a sense of boldness and revelry, indicating that his second marriage was entered into with a spirit of celebration and a departure from conventional norms. The "second marriage" could symbolize a personal reinvention or an act of reclaiming joy and freedom in the later stages of life.

Khayyam mentions "old barren reason", personifying reason as something that has grown sterile or ineffective. This could be interpreted as a critique of pure logic or rationality, which might be seen as unfulfilling when applied to matters of the heart or personal happiness. By choosing to "take the daughter of the vine to spouse," Khayyam introduces the concept of wine and intoxication as symbols of passion, pleasure, and spontaneity. The daughter of the vine is often a metaphor for wine, which in Persian literature is associated with both spiritual transcendence and earthly indulgence.

The quote reflects Khayyam's deeper philosophy, which often emphasized embracing life's pleasures and mysteries over rigid intellectualism or moralism. His writings frequently explore the tension between reason and emotion, with a preference for living fully in the present. In this context, the second marriage symbolizes a rejection of purely rational decisions in favor of embracing the more emotional, sensual side of life. The marriage to the daughter of the vine might suggest that, for Khayyam, true happiness lies in the pleasures of the senses, the fleeting nature of life, and the importance of living in the moment.

Thus, this quote embodies Khayyam’s philosophy of hedonism and existential acceptance, encouraging an embrace of the joys and freedom that come with following one's desires, rather than being bound by logic or societal expectations. It reflects his belief that life, in all its fleeting beauty, is best experienced through emotional and sensory indulgence.

Omar Khayyam
Omar Khayyam

Poet May 18, 1048 - December 4, 1131

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