From the artist's standpoint, are you getting more from streaming than you used to, prior to the days of the Internet? No - and I don't know if those days are ever going to come back - but at least, technically speaking, it's the legal way to do it.

In this quote, Myles Kennedy reflects on the shift in the music industry, particularly regarding streaming and its financial impact on artists. He points out that, despite the growth of streaming platforms and their widespread use, artists aren't necessarily earning more from these services compared to the days before the Internet revolutionized music distribution. Kennedy acknowledges that the financial benefits for artists have not increased significantly through streaming, despite the convenience and accessibility that these platforms provide to listeners.

Kennedy also notes that he doesn't know if the previous days, where artists could earn more from physical album sales or other forms of distribution, will ever return. This reflects a broader concern within the music industry, where streaming has replaced physical sales but the revenue generated is often spread thin across many stakeholders, leaving artists with relatively small payouts. While streaming has created new opportunities for listeners to access music, it hasn't necessarily translated into a significant increase in artist compensation.

However, Kennedy acknowledges that one positive aspect of streaming is that it provides a legal way for people to access music. Before streaming, many people resorted to illegal downloads or pirated content, which took revenue away from the artists and the industry. In that sense, streaming platforms, despite their financial drawbacks for artists, provide a more ethical and legal alternative to piracy.

Ultimately, Kennedy's quote highlights the tension in the modern music industry between the convenience and legality of streaming and the financial struggles that many artists face in an era dominated by these platforms. While streaming might not offer the financial rewards of previous methods of music distribution, it is considered a legal and accessible option for both artists and listeners, even as the industry continues to evolve.