With everything that I design, from a church to a plate to skyscraper to a spoon. I am always thinking about voluptuous volumes and spaces.

In this quote, Greg Lynn, a renowned architect, emphasizes the central role of voluptuous volumes and spaces in his design philosophy. He indicates that no matter the scale or type of the project—whether it’s a church, a plate, a skyscraper, or a spoon—he consistently focuses on the shape and form of the space and volumes he is creating. Lynn's approach suggests that aesthetics and spatial experience are central to his work, emphasizing the importance of how the physical forms of his designs interact with the environment and the people who experience them.

Lynn’s use of the term voluptuous is particularly telling. It suggests a sensuous and flowing quality to his designs, one that values the curves, contours, and the physicality of space. Rather than focusing solely on function or structure, Lynn’s work involves a deep consideration of the emotional and experiential impact of space, aiming to create designs that resonate with those who interact with them on a visceral level. His emphasis on volumes indicates a focus on the three-dimensionality of his designs, making them dynamic and engaging.

The quote also reveals how Lynn sees a connection between the scale of the design and its sensual appeal. By mentioning such varied objects as a church, a plate, and a skyscraper, he demonstrates that his design principles transcend the boundaries of architecture and touch upon product design as well. For Lynn, the principles of volume and space are not confined to large-scale architecture but are equally important in the design of smaller, everyday objects. This holistic approach to design unites different scales under a shared aesthetic vision.

Ultimately, Lynn’s quote speaks to his belief that all design—whether monumental or minuscule—is an opportunity to create spaces and forms that engage the human senses. His focus on voluptuous volumes suggests that design should be more than just functional; it should also evoke feelings and experiences that transform how people interact with the built environment, enhancing both the visual and emotional impact of the objects and spaces he creates.