I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'

I love Rauschenberg. I love that
I love Rauschenberg. I love that
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'
I love Rauschenberg. I love that
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'
I love Rauschenberg. I love that
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'
I love Rauschenberg. I love that
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'
I love Rauschenberg. I love that
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'
I love Rauschenberg. I love that
I love Rauschenberg. I love that
I love Rauschenberg. I love that
I love Rauschenberg. I love that
I love Rauschenberg. I love that
I love Rauschenberg. I love that

The quote "I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'" by Jerry Saltz celebrates the groundbreaking contributions of artist Robert Rauschenberg to the world of art. Saltz admires how Rauschenberg challenged traditional notions of beauty and art by blending various media—painting, sculpture, photography—and incorporating elements from everyday life. This innovative approach marked a significant shift, or turning point, in visual history.

Saltz also highlights Rauschenberg’s boldness, or gall, in pushing boundaries and breaking conventions. The artist’s willingness to embrace failure as a form of progress was revolutionary, encouraging artists to view mistakes and experimentation not as setbacks but as essential steps toward creative growth and innovation. This perspective redefined how artists and audiences understand the creative process.

Jerry Saltz, a prominent art critic, speaks from his extensive knowledge of contemporary art and its history. His admiration for Rauschenberg reflects the profound influence the artist had on modern and postmodern art movements, inspiring countless creators to rethink artistic possibilities.

In essence, this quote underscores the importance of innovation and the reimagining of failure in art. It celebrates Rauschenberg’s legacy of transforming visual culture by merging disciplines and redefining progress through the acceptance of failure.

Jerry Saltz
Jerry Saltz

American - Critic Born: February 19, 1951

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