Everyone was saying computers were going to be the future of art; everyone had to do something in this medium. And it was almost some sort of rebellion that I wanted to do these small, intimate drawings.

Everyone was saying computers were going
Everyone was saying computers were going
Everyone was saying computers were going to be the future of art; everyone had to do something in this medium. And it was almost some sort of rebellion that I wanted to do these small, intimate drawings.
Everyone was saying computers were going
Everyone was saying computers were going to be the future of art; everyone had to do something in this medium. And it was almost some sort of rebellion that I wanted to do these small, intimate drawings.
Everyone was saying computers were going
Everyone was saying computers were going to be the future of art; everyone had to do something in this medium. And it was almost some sort of rebellion that I wanted to do these small, intimate drawings.
Everyone was saying computers were going
Everyone was saying computers were going to be the future of art; everyone had to do something in this medium. And it was almost some sort of rebellion that I wanted to do these small, intimate drawings.
Everyone was saying computers were going
Everyone was saying computers were going to be the future of art; everyone had to do something in this medium. And it was almost some sort of rebellion that I wanted to do these small, intimate drawings.
Everyone was saying computers were going
Everyone was saying computers were going
Everyone was saying computers were going
Everyone was saying computers were going
Everyone was saying computers were going
Everyone was saying computers were going

In this quote, Marcel Dzama reflects on the rise of computers as a medium in the world of art and how there was a strong push for artists to embrace digital technology in their work. Dzama notes that many people believed computers would become the dominant force in artistic expression, and artists were expected to create within this new medium. However, Dzama felt a sense of rebellion against this trend and chose to focus on more traditional, small, and intimate drawings instead, highlighting a desire to resist the pressure to conform to technological expectations.

Dzama's statement underscores the tension between traditional art forms, like drawing, and the emerging influence of digital art. In a world where technology was becoming increasingly important, Dzama sought to preserve the personal, tactile connection that comes with creating physical artworks. By choosing a more handmade approach, he emphasizes the emotional and personal nature of his work, contrasting it with the more impersonal and expansive nature of digital creation.

The origin of this quote lies in Dzama’s experience as a visual artist, known for his unique approach to drawing, collage, and animation. His decision to focus on traditional art during a time when digital art was on the rise reflects his desire to stay true to his creative instincts. Dzama’s preference for smaller, more intimate drawings challenges the idea that technology should dominate the future of art, suggesting that traditional methods still have value and relevance.

Dzama’s rebellion against the trend of digital art speaks to a larger conversation about the role of technology in creative fields. His choice to stick with more personal forms of expression challenges the notion that art must constantly evolve in line with technological advancements. This perspective reinforces the idea that different mediums offer diverse forms of artistic expression, and some artists may prefer to work in more traditional ways to preserve a sense of intimacy and connection with their audience.

Marcel Dzama
Marcel Dzama

Canadian - Artist Born: 1974

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