Computers were never designed in the first place to become musical instruments. Within a computer, everything is sterile - there's no sound, there's no air. It's totally code. Like with computer-generated effects in movies, you can create wonders. But it's really hard to create emotion.

In this quote, Thomas Bangalter reflects on the limitations of computers as musical instruments. He argues that computers were never intended to produce music but rather functioned as tools for processing data and executing code. Bangalter emphasizes that within a computer, there is no inherent sound or air, making it a sterile environment compared to traditional musical instruments that rely on physical vibrations and human interaction. This underscores the idea that while computers can be powerful tools for music creation, they lack the organic, emotional qualities of conventional instruments.

Bangalter also compares computer-generated effects in movies to music production, suggesting that while computers can create visually stunning wonders in films, they struggle to evoke the same level of emotion. This analogy highlights the distinction between the technical capabilities of technology and the more abstract, human aspects of artistic expression. Despite the power of computers to generate incredible effects, whether in music or film, they cannot fully replicate the human touch and emotional depth that come with traditional forms of art.

The origin of this quote comes from Thomas Bangalter, a member of the influential French electronic music duo Daft Punk. Known for blending technology and music, Bangalter's perspective on the intersection of the two fields is grounded in his experience creating electronic music. His comment reflects his understanding of both the possibilities and limitations of using computers in artistic processes, particularly in relation to the deeply emotional nature of music.

Ultimately, Bangalter's quote speaks to the tension between technology and emotion in the creation of art. While computers can push the boundaries of what is possible in terms of sound and visual effects, there is a nuanced understanding that certain emotional qualities may be harder to replicate. This perspective invites reflection on how technology and human expression interact, particularly in the realm of music and other creative arts.