Songs that aren't even remotely connected to Christmas are now officially canonized Christmas tunes. 'Frosty the Snowman,' 'Jingle Bells' and 'Winter Wonderland' never mention anything religious but are still notches in Christmas' belt of musical dominance.

Matisyahu’s quote highlights how songs that have no direct connection to the religious or traditional aspects of Christmas have become an integral part of the holiday's musical canon. By referencing tunes like "Frosty the Snowman," "Jingle Bells," and "Winter Wonderland," he points out that these songs don’t explicitly mention the holiday's religious roots but are still embraced as part of its celebratory culture. This speaks to the broadening of what constitutes a Christmas song over time.

The origin of this phenomenon can be traced back to the early 20th century when popular culture began to shape the Christmas season as more than just a religious event. Songs that captured the spirit of winter or the joyous atmosphere of the season were naturally adopted into Christmas celebrations, despite not mentioning the birth of Christ or any religious references. This evolution of the Christmas soundtrack demonstrates how secular themes can blend with traditional holiday celebrations.

Matisyahu's observation also points to the musical dominance that Christmas has achieved, with non-religious tunes playing a major role in the global spread of the holiday's image. These songs reflect a more inclusive and universal celebration of the season, where the emphasis is placed on festivities rather than religious meaning. Thus, they become canonical not through doctrinal association, but through cultural influence and the appeal of their joyous and uplifting melodies.

In essence, the quote underscores the way popular music and media have shaped our perception of Christmas as a time of togetherness, happiness, and tradition, allowing songs with no religious mention to find their place in the holiday’s soundtrack.