I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.

Roger Ebert’s quote reflects his personal taste in humor, particularly his lack of appreciation for physical comedy such as the classic trope of a kick to the groin. He openly admits that he has never found such moments funny, which speaks to how subjective humor can be. While many may laugh at the pain or discomfort of another person in slapstick moments, Ebert’s perspective highlights how humor doesn’t work for everyone in the same way.

The mention of “recent work in the genre of the buddy movie” acknowledges that this type of physical comedy has become a significant part of many comedies in Hollywood, particularly in films that feature two contrasting characters (often male) who experience humorous situations together. These films frequently rely on slapstick and other exaggerated forms of humor, including groin kicks, to get a laugh from audiences. Ebert’s reference to audience research suggests that, despite his personal feelings, there must be something about this humor that resonates with a significant portion of the audience, enough to make it a staple in the genre.

The quote also points to Ebert’s broader understanding of audience preferences and his role as a critic. While he may not personally enjoy these types of scenes, he recognizes that they are part of the entertainment formula that works for many. This indicates his ability to appreciate the diversity of humor in cinema and acknowledge trends even if they aren’t to his personal taste.

The origin of this quote likely comes from Ebert’s vast experience as a film critic, where he observed shifts in cinematic trends and audience preferences. While he didn’t personally find groin kicks funny, his understanding of popular culture and his openness to different comedic styles reflect his comprehensive approach to film critique. It’s a reminder that humor is deeply personal, and what works for one may not work for another, but both can coexist in the world of film.