I don't believe in comedy as a TV genre - I think there's drama that is funny. Because beyond the laughs, there has to be cost, and there has to be heart.

Michaela Coel’s quote reflects her belief that comedy should not be seen as a standalone genre but rather as something deeply intertwined with drama. She argues that true humor emerges within the context of complex emotional experiences, where there is not just a focus on laughter, but also on the cost and heart of the situations. Coel suggests that for comedy to resonate on a deeper level, it must be rooted in real human emotion and the consequences of actions, making the humor more meaningful and grounded in reality.

The idea that there must be cost and heart beyond the laughs speaks to Coel’s commitment to creating nuanced narratives that address complex human experiences. In her view, comedy that only seeks to make people laugh without addressing the emotional or consequential aspects of life can feel shallow. For humor to be truly effective, it must come from a place of understanding the challenges and vulnerabilities that people face, adding a layer of depth to the comedic moments.

Coel’s perspective also challenges traditional notions of television genres, which often categorize shows strictly as either comedy or drama. By blending the two, she highlights how fluid and multifaceted storytelling can be, allowing for a more comprehensive exploration of human experiences. For Coel, a show that combines drama and comedy can offer a richer, more emotionally resonant experience, where the humor feels authentic and earned rather than forced.

The origin of this quote likely comes from Coel’s own work as a writer, producer, and performer, particularly in her groundbreaking show I May Destroy You. The series is known for blending humor and drama in a way that explores serious topics, like sexual assault, while still managing to incorporate sharp wit and insight. Coel’s approach to comedy is deeply rooted in her understanding of the complexities of life, where laughter and pain often coexist, giving her work an emotional richness that resonates with audiences.