Folk tales, fairy tales, religion, the occult - these are the things I'm most passionate about, even more than cinema. And I'm very passionate about cinema.

In this quote, Robert Eggers, the renowned director behind films like The Witch and The Lighthouse, reveals his deep passion for folk tales, fairy tales, religion, and the occult—subjects that often find their way into his filmmaking. Eggers contrasts these interests with his love for cinema, emphasizing that his fascination with these themes surpasses even his intense devotion to the craft of filmmaking. This statement reflects his creative focus, as he often incorporates elements of folklore, superstition, and spiritual beliefs into the narratives of his films. The quote highlights how mythology and superstition profoundly influence his storytelling.

Eggers is known for his distinct filmmaking style, which blends historical accuracy with mythological and supernatural elements. His work frequently explores the darker aspects of human existence through the lens of ancient beliefs, rituals, and the occult. By openly expressing his interest in these areas, Eggers gives insight into his creative process, suggesting that the stories and beliefs that shape human culture play a central role in the themes he explores through his films. His work often examines how the supernatural intertwines with everyday life, especially in periods of historical or religious tension.

The origin of this quote can be traced to Eggers' broader interest in the occult and mythology, themes he grew up studying and that have influenced much of his cinematic work. In interviews, Eggers has frequently discussed how his love for history and storytelling aligns with his fascination for superstitions and the mystical, which are often central elements in folk traditions and religious practices. For Eggers, these stories are not just narrative devices but rich sources of meaning, psychological depth, and cultural insight.

Ultimately, Eggers' quote emphasizes his belief in the power of myths and legends to shape human understanding and experience. By placing them above even his love for cinema, he suggests that the timeless stories of culture and faith have an enduring resonance that goes beyond entertainment—offering a window into the primal forces that govern human life. This passion for cultural narratives informs his films, where the supernatural often serves as a metaphor for deeper, existential themes.