What is overriding that and most important is that readers generally are interested in a good character. They might be more comfortable with Harry because they think they know him, but they always seem willing to give somebody new a chance.

In this quote, Michael Connelly reflects on the importance of character in literature, particularly in the context of his writing. He suggests that while readers may feel more comfortable with familiar characters, like Harry (likely referencing his famous protagonist, Harry Bosch), they are generally open to new and engaging characters. Connelly emphasizes that good character is what ultimately drives the reader’s interest, and they are often willing to invest in a new character if they are well-developed and relatable.

The meaning behind the quote centers on the notion that readers are drawn to complex, well-crafted characters rather than just familiar names or franchises. While readers may have a preference for characters they already know and feel comfortable with, the strength of the character’s development and story can motivate them to embrace new ones. This reflects the idea that storytelling is about more than just continuity; it’s about creating characters that resonate with the audience, whether familiar or new.

The origin of the quote likely stems from Connelly’s experiences as a bestselling crime fiction author. Known for his long-running series featuring Harry Bosch, Connelly has also introduced other memorable characters throughout his career, like Mickey Haller in The Lincoln Lawyer. His reflection on character suggests his deep understanding of what keeps readers engaged over time: a combination of familiarity and novelty in character development.

Ultimately, Connelly’s words suggest that while familiarity with a character can provide comfort, it’s the depth and appeal of a character that truly captures the reader’s attention. He underscores the idea that readers are inherently interested in good storytelling and will embrace new characters if they are compelling, showing that character-driven narratives are at the heart of great literature.