We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.

The quote by Bing Crosby describes a recording and editing process in which multiple takes were performed, and the one that “came off best” was selected for the final transcription. Crosby explains that this method gave him and his collaborators the freedom to ad lib—adding spontaneous or improvised elements—without the pressure of getting everything perfect in one go. Any unnecessary or excessive improvisation could later be sliced from the final product, ensuring a polished result.

The meaning centers on the balance between creativity and refinement. By allowing room for improvisation, the process encouraged natural, authentic performances while also maintaining a standard of quality through post-production editing. It highlights the value of flexibility during the creative process, knowing that the safety net of editing allows for greater experimentation.

The origin of this statement comes from Crosby’s extensive career in music, radio, and film, during which he embraced technological advancements in recording. He was known for pioneering methods that blended live performance spontaneity with the precision of studio editing, especially during the era when magnetic tape made splicing and re-recording much easier. His approach allowed for more relaxed performances, which became a hallmark of his style.

By sharing this insight, Crosby reveals how production techniques can shape the artistic process. The ability to ad lib freely, knowing it could be refined later, not only improved the final product but also fostered a more authentic and expressive style—qualities that helped cement his legacy as one of the most influential entertainers of the 20th century.