We filmed 'Plebs' in Bulgaria, I made a lot of friends there, the architecture and culture are amazing - so to hear stories that they're here as criminals to sponge off the state, it was hurtful.

Tom Rosenthal’s quote — “We filmed 'Plebs' in Bulgaria, I made a lot of friends there, the architecture and culture are amazing — so to hear stories that they’re here as criminals to sponge off the state, it was hurtful.” — is a personal and emotional response to negative stereotypes about Eastern European immigrants. Rosenthal, known for his role in the historical comedy Plebs, expresses admiration for Bulgarian culture and its people, reflecting on his positive experiences during the show’s production. His words highlight the contrast between his firsthand encounters and the discriminatory narratives often circulated in parts of the media or political rhetoric.

The mention of architecture and culture as “amazing” underscores Rosenthal’s appreciation for the rich heritage and aesthetic beauty he encountered in Bulgaria. It’s a reminder that countries like Bulgaria have much to offer beyond simplistic or negative portrayals — from historical landmarks to a vibrant, welcoming society. His personal relationships formed during filming also lend authenticity to his rejection of the stigmatizing claims about Bulgarians in the UK.

Rosenthal’s use of the word hurtful reveals the emotional weight of seeing a group of people he respects being mischaracterized. It speaks to the disconnect between individual human experiences and public prejudices, especially when immigrants are unfairly depicted as burdens rather than contributors to society. His statement is not just a defense of Bulgarian people, but a broader call for empathy, fairness, and cultural respect.

Ultimately, the quote serves as both a personal reflection and a social critique. Rosenthal uses his platform to challenge xenophobia and advocate for a more nuanced understanding of immigration and cultural exchange. By grounding his views in real friendships and lived experience, he reminds audiences that people and places are far more complex — and valuable — than the labels often placed upon them.