The appalling thing is the degree of charity women are capable of. You see it all the time... love lavished on absolute fools. Love's a charity ward, you know.

In this quote, Lawrence Durrell critiques the level of charity and selflessness that women often show in their relationships, particularly when it comes to love. He highlights the paradox of women giving love and compassion to those who might not deserve it or who, in his view, are undeserving ("absolute fools"). Durrell seems to be expressing a cynicism about the unconditional nature of women’s affection, suggesting that it often extends to individuals who may not reciprocate or appreciate it, thus rendering it a form of self-sacrifice rather than an equal exchange.

Durrell's comparison of love to a "charity ward" implies that love is being dispensed in a way that resembles charity, where it’s given without expectation of return, and often to those who may not appreciate or deserve it. This reflects a somewhat critical view of romantic relationships, where women’s emotional generosity might be seen as misdirected or wasted on people who don’t value it fully. His tone carries an element of disillusionment, as he seems to be commenting on the inequality of such acts of love, and how they can sometimes leave women in positions of emotional exploitation.

The origin of this quote lies in Durrell’s often critical and satirical portrayal of human relationships, particularly in his works such as The Alexandria Quartet. His writing often delves into the complexities of human emotions, desires, and the tensions between love and reason. Durrell’s portrayal of love is frequently marked by a sense of irony and skepticism, and this quote is an example of how he viewed romantic love—as something that can be both elevating and, at times, self-destructive.

Ultimately, Durrell’s quote reflects a complex view of gender and emotion, where he recognizes the capacity for love in women but questions the wisdom of giving it freely to those who don’t deserve it. His critique is aimed at the imbalance he perceives in relationships, where love can sometimes take on a paternalistic, almost martyr-like quality, rather than being a mutual, respectful exchange. This aligns with his broader themes of human vulnerability, desire, and the often tragic nature of human connection.