That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.

That Moorish architecture is all over
That Moorish architecture is all over
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.
That Moorish architecture is all over
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.
That Moorish architecture is all over
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.
That Moorish architecture is all over
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.
That Moorish architecture is all over
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.
That Moorish architecture is all over
That Moorish architecture is all over
That Moorish architecture is all over
That Moorish architecture is all over
That Moorish architecture is all over
That Moorish architecture is all over

The quote by Jim Woodring, “That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings,” expresses the artist’s deep admiration for the visual and emotional impact of Moorish architecture. Known for its intricate detailing, flowing forms, and symbolic richness, Moorish design has influenced countless artists and architects. Woodring acknowledges that its aesthetic presence is widespread and inspirational, resonating with both his personal memory and creative imagination.

He specifically highlights the Brand Library—a historic building in Glendale, California—as a personal landmark that left a lasting imprint on his artistic sensibilities. The library, designed in a Moorish Revival style, served not just as a public space but as a source of wonder and artistic influence. Woodring notes that it has appeared in various forms throughout his drawings, suggesting that architecture can act as a deep subconscious reference, shaping not only what artists create but how they see the world.

By using the word “homage,” Woodring admits that his art is, in part, a tribute to the architectural language that moved him. His fascination with the ornamentation, mysticism, and spatial drama of Moorish architecture aligns with the surreal, dreamlike qualities found in his graphic works. It shows how built environments can transcend their function, becoming enduring symbols of inspiration and creative influence.

The origin of this quote is from Woodring’s reflections on his childhood and artistic development, often discussed in interviews and autobiographical writings. As a visual storyteller and cartoonist with a distinct, otherworldly style, Woodring demonstrates how architecture and memory intersect in powerful ways. His acknowledgment of Brand Library serves as a reminder that places—especially those with unique architectural character—can become emotional anchors that nurture creativity over a lifetime.

Jim Woodring
Jim Woodring

American - Artist Born: October 11, 1952

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