So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.

So what we have tried to
So what we have tried to
So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
So what we have tried to
So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
So what we have tried to
So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
So what we have tried to
So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
So what we have tried to
So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
So what we have tried to
So what we have tried to
So what we have tried to
So what we have tried to
So what we have tried to
So what we have tried to

The quote "So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent." by Minoru Yamasaki emphasizes the importance of consistency in architectural design, paralleling it with the artistic discipline found in painting and sculpture. Yamasaki, a prominent 20th-century American architect best known for designing the original World Trade Center in New York City, believed that architecture should have a coherent and unified artistic language throughout each project. Just as a painter maintains a certain style or voice across a canvas, an architect must do the same with form, space, and detail.

In this quote, Yamasaki is likely referring to the evolution of his own design philosophy, which moved toward a more refined and harmonious aesthetic over time. Rather than embracing fragmentation or inconsistency, he valued order, symmetry, and emotional resonance in his work. His commitment to human-centered design, often expressed through the use of light, texture, and rhythm, was a way of ensuring that every aspect of a building contributed to a unified experience.

Yamasaki’s comparison to painters and sculptors elevates the role of the architect from a technical professional to a creative artist, suggesting that architecture is not merely functional, but also deeply expressive. The idea of consistency here also speaks to integrity in design—the notion that the parts of a building should not only work well individually, but also support the overall vision and purpose of the project. This reflects his broader belief that architecture has a moral and emotional dimension, requiring care and clarity.

Ultimately, the quote underscores Yamasaki’s view that architecture, like all great art, should exhibit a clear identity, a sense of continuity, and intentional coherence. In a world where architectural styles were rapidly shifting, his dedication to consistency was both a personal principle and a response to the need for clarity and dignity in the built environment. His work aimed to create spaces that were not only structurally impressive, but also emotionally meaningful and artistically unified.

Minoru Yamasaki
Minoru Yamasaki

American - Architect December 1, 1912 - February 6, 1986

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