It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.

It's amazing how fast generations lose
It's amazing how fast generations lose
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
It's amazing how fast generations lose
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
It's amazing how fast generations lose
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
It's amazing how fast generations lose
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
It's amazing how fast generations lose
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
It's amazing how fast generations lose
It's amazing how fast generations lose
It's amazing how fast generations lose
It's amazing how fast generations lose
It's amazing how fast generations lose
It's amazing how fast generations lose

The quote "It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience." comes from Carlisle Floyd, an American composer and educator known for his work in opera. In this statement, Floyd reflects on how the perspectives of generations can change rapidly, particularly in the world of music and art. He expresses amazement at how quickly younger generations can lose touch with the artistic values and approaches of the past.

Floyd observes that young composers, when they come to work with him, often express a desire to write music that people will like, as opposed to embracing the tradition of artistic rebellion that was prevalent in previous generations. In the past, many composers sought to establish their credibility and artistic credentials by challenging mainstream tastes and creating music that was rejected by the audience. Floyd highlights how this approach has shifted, with young composers now aiming for wider acceptance and appeal.

The statement suggests a fundamental shift in the way artistic success is perceived, with the focus now on pleasing and engaging the audience, rather than being alienated from them. Floyd’s comment points to a changing attitude in the creative community, where gaining respect through popularity is becoming more important than adhering to the tradition of rejection as a form of artistic integrity.

In summary, Carlisle Floyd’s quote reflects on the evolution of artistic values across generations, particularly in music. It highlights how young composers are increasingly focused on creating work that connects with the audience, rather than seeking to establish their worth through artistic rejection. Floyd’s reflection on this change underscores the dynamic nature of art and the shifting priorities of different creative eras.

Carlisle Floyd
Carlisle Floyd

American - Composer Born: June 11, 1926

Have 6 Comment It's amazing how fast generations lose

THMinh Tri Hoang

Floyd’s perspective brings up a broader question: how do artists navigate the pressure to be liked versus the need to push boundaries? The young composers’ focus on audience approval might reflect market realities, but could it also limit artistic growth? It’s a delicate balance between innovation and accessibility that every artist must find.

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KDkhai dao

This quote touches on the idea that cultural memory fades quickly. If young artists don’t engage with previous generations’ struggles and achievements, could that lead to repeating mistakes or losing depth in their work? Floyd’s insight makes me think about the importance of mentorship and education in bridging generational divides within the arts.

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NNNhat Nguyen

It’s fascinating how Floyd ties the desire for acceptance to gaining credentials. I wonder, do younger composers see rejection as a failure, whereas past generations viewed it as a rite of passage? This shift could reflect changing professional landscapes where sustainability and visibility matter more than ever. How can emerging artists balance authenticity with audience appeal?

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BTNguyen Phan Bao Tin

Floyd’s remark suggests a generational gap in artistic values, with young composers valuing popularity over initial critique. I’m curious—does this mean today’s artists are less willing to challenge audiences, or is the nature of rejection simply changing? Perhaps digital platforms and social media have altered how feedback is received and how success is defined.

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TTThuong Thuong

This quote makes me think about the evolving relationship between artists and their audiences. Is seeking immediate acceptance necessarily a compromise, or just a realistic adaptation to today’s fast-paced culture? Floyd’s concern about losing sight of past generations raises questions about how we maintain artistic lineage while embracing new voices and tastes.

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