I'm tired of being around men all the time. I'm going to start a band called Skirt with three girls and I'll play the guitar and sing backing vocals in drag. I went window shopping when I was in New York, saw a lot of amazing dresses.
The quote "I'm tired of being around men all the time. I'm going to start a band called Skirt with three girls and I'll play the guitar and sing backing vocals in drag. I went window shopping when I was in New York, saw a lot of amazing dresses." comes from Brian Molko, the lead singer and guitarist of the alternative rock band Placebo. In this statement, Molko expresses his frustration with the monotony of being surrounded by men and his desire to break free from that environment by forming a new band with an all-female lineup. His plan to perform in drag reflects his interest in exploring gender expression and subverting traditional roles within music and society.
Molko’s decision to create a band called Skirt with three women was a way to challenge the typical gender dynamics often found in rock music. The name itself, "Skirt," hints at the playfulness and subversion of traditional gender norms. By planning to perform in drag—a form of performance art that challenges conventional gender presentation—Molko emphasizes his desire to explore and express a more fluid approach to gender identity and performance.
The mention of window shopping in New York and the amazing dresses he saw reflects Molko’s fascination with fashion as a means of self-expression. His experience in New York inspired him to envision himself in a different light, wearing dresses that allowed him to break away from traditional masculine expectations. This moment underscores the intersection of his artistic expression and his evolving sense of identity, as fashion and performance merged in his vision for the band.
In summary, this quote from Brian Molko captures his desire to challenge conventional norms, particularly around gender and musical identity. It reflects his creative vision to experiment with drag, form an all-female band, and explore fashion and performance as a means of self-expression. Through this, Molko invites both himself and his audience to think more critically about gender and the boundaries within the music industry.
UHuyen hoang
This quote feels like a mix of exhaustion, satire, and genuine artistic yearning. Being around men 'all the time' might speak to the hypermasculine environments of the music world, and the desire to perform in drag with women flips that dynamic. Is this a fantasy of escape, a protest, or a playful reinvention of stage identity? Either way, it’s bold and thought-provoking.
NTVo Doan Nguyen Thy
I can't help but wonder—did this project ever actually materialize? 'Skirt' sounds like it would’ve been a fascinating band, both musically and visually. Molko’s window-shopping anecdote adds a touch of sincerity beneath the sarcasm. Is this quote just a whimsical comment, or does it reveal a deeper desire for freedom from expectations—whether they be gendered, professional, or artistic?
VPPham van phu
What strikes me most is how this quote blends personal frustration with a humorous artistic vision. Wanting to perform in drag and with women seems to reflect not just a style choice, but a need for emotional or creative balance. I wonder if he felt more creatively fulfilled or seen in more feminine or diverse spaces, and how that influenced his performances or songwriting.
AVNguyen Tran Anh Vy
There's something really refreshing in the way Molko expresses this idea—both irreverent and honest. Starting a band called 'Skirt' and performing in drag sounds like both a rebellion and a celebration. I’m curious—was this a critique of toxic masculinity, or just a playful experiment in self-expression? It really blurs the line between satire and sincerity in a way that invites discussion.
THVu Tien Hoang
I find this quote both funny and deeply reflective. It sounds like an artistic response to gender imbalance in the music industry. Does Brian’s frustration highlight a larger issue about lack of diversity in bands and touring culture? And what would it look like if more artists embraced this kind of creative gender fluidity—would audiences be open to it, or still stuck in rigid norms?