I'm really into architecture, I'm a member of the Brutalist Appreciation Society; I'm a member of the Postmodern Society. I write letters to save buildings.

The quote by Róisín Murphy — "I'm really into architecture, I'm a member of the Brutalist Appreciation Society; I'm a member of the Postmodern Society. I write letters to save buildings." — reveals her deep personal passion for architectural history and preservation. Known for her bold and experimental style as a musician and performer, Murphy’s aesthetic interests extend into the world of built environments, where she actively engages with efforts to protect and celebrate significant architectural movements. Her alignment with both Brutalism and Postmodernism highlights an appreciation for bold, expressive design and historically controversial forms of architecture.

By stating her membership in the Brutalist Appreciation Society and the Postmodern Society, Murphy aligns herself with communities that value architectural experimentation, cultural expression, and structural honesty. Brutalism, known for its raw concrete and monumental shapes, and Postmodernism, known for its eclectic, often ironic rejections of modernist simplicity, are both styles that reflect Murphy’s own non-conformist artistic identity. Her interest suggests a love not just for buildings as functional spaces, but as cultural symbols and works of art.

The act of writing letters to save buildings shows that her passion is not passive. She is actively involved in architectural preservation, advocating for the survival of structures that others might find outdated or unappealing. This reflects a broader understanding of architecture as memory — that buildings carry with them stories, cultural value, and identity, and that preserving them is a way to maintain connection with history.

The origin of this quote likely comes from interviews where Murphy discusses her influences beyond music. As a highly visual artist, her commitment to design, space, and structure finds expression not only in her stagecraft and videos but also in her activism for architectural heritage. It reinforces her image as an artist who cares deeply about aesthetic environments, treating both music and architecture as platforms for emotional and intellectual engagement.