I'm not a fan of musicals at all, but I do think 'The Nightmare Before Christmas' is a very good. I always thought 'Walk the Line' was very good, too. I was in 'Nowhere Boy.' I played Paul McCartney. That was kind of musical - we did songs in that.

The quote "I'm not a fan of musicals at all, but I do think 'The Nightmare Before Christmas' is very good. I always thought 'Walk the Line' was very good, too. I was in 'Nowhere Boy.' I played Paul McCartney. That was kind of musical - we did songs in that." by Thomas Brodie-Sangster offers insight into his personal preferences when it comes to musicals and his experiences with music in film. Despite not being a fan of traditional musicals, Brodie-Sangster acknowledges that "The Nightmare Before Christmas" and "Walk the Line" stand out to him as noteworthy films, suggesting that certain musical elements in films can appeal to him even if the genre itself isn’t one of his favorites.

By mentioning "The Nightmare Before Christmas", an animated film that blends musical and gothic fantasy, Brodie-Sangster points to the way this film balances its storytelling with songs in a way that resonates with him. The unique style of this film, directed by Tim Burton, stands apart from traditional musicals, which might explain why it is one of the few he enjoys. Similarly, he praises "Walk the Line", a biographical film about Johnny Cash, which also integrates music effectively into its narrative, blending drama with performance.

Brodie-Sangster also reflects on his own involvement in musical elements through his role as Paul McCartney in "Nowhere Boy", a film about the early life of John Lennon. Although he’s not fond of musicals, this film allowed him to perform songs, which seems to have been a different experience for him. He points out that the film had musical components, making it "kind of musical," despite it not being a full-blown musical.

Ultimately, the quote sheds light on Brodie-Sangster’s personal tastes and how he views music in film. While he may not be drawn to traditional musicals, he appreciates how music can enhance storytelling in certain films, especially when it’s intertwined with the character-driven narratives that interest him.