If people want to see Beaux-Arts, it's fine with me. I'm interested in good architecture as anybody else.

The quote by Louis Kahn reflects his balanced and inclusive perspective on architectural styles, particularly in reference to Beaux-Arts—a grand, formal tradition rooted in classical European design. Though Kahn is celebrated for his modernist and monumental architectural language, he expresses here that he holds no objection to others appreciating more ornate, traditional forms. His comment, “It’s fine with me,” shows his respect for architectural diversity and for people’s personal tastes in design.

At the same time, Kahn affirms his commitment to “good architecture”—regardless of style—as the true measure of quality. This phrase encapsulates his philosophy that the value of a building lies not in whether it conforms to a particular aesthetic, but in how well it serves its purpose, expresses its structure, and resonates with human experience. Kahn’s use of the phrase “as anybody else” also positions him not as an elitist but as someone deeply connected to the universal human appreciation for thoughtful, well-crafted design.

Historically, Beaux-Arts architecture represented the dominant academic style in the 19th and early 20th centuries, particularly in institutions and public buildings. Kahn, whose work came to prominence in the mid-20th century, sought to redefine architecture through monumentality, geometry, and material honesty, moving away from the decorative traditions of the Beaux-Arts. Yet, this quote reveals his non-dogmatic approach—he was not dismissive of the past but sought to learn from it while forging a new path.

The origin of this quote can be traced to Kahn’s interviews and lectures, where he frequently addressed questions about style, tradition, and the evolving role of architecture. Rather than engaging in stylistic debates, Kahn was more interested in the essence of architecture—its ability to shape space with dignity, light, and meaning. His openness to different styles, paired with a rigorous personal vision, made him one of the most intellectually respected architects of the modern era.