I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.

I wanted to get to that
I wanted to get to that
I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.
I wanted to get to that
I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.
I wanted to get to that
I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.
I wanted to get to that
I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.
I wanted to get to that
I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.
I wanted to get to that
I wanted to get to that
I wanted to get to that
I wanted to get to that
I wanted to get to that
I wanted to get to that

In this quote, Stanley Crouch reflects on his desire to move beyond the academic or technical aspects of learning music and to reach a deeper aesthetic proposition. He suggests that understanding the human elements of music is essential for truly appreciating its emotional and cultural significance. Crouch is emphasizing that music is not just about notes and rhythms fitting together in a structured way, but about how they resonate with the human experience.

Crouch’s statement highlights the idea that music, or any art form, becomes meaningful when it connects on a personal level. He wants to move beyond the mechanics of how music is learned—through theory or technical exercises—and delve into the emotional and cultural depth that music can convey. The phrase “mean something to you” suggests that true mastery of music involves not only understanding how it works but also connecting with its emotional impact.

The quote also reflects Crouch's broader philosophy about the value of cultural context and the human experience in art. By focusing on the human elements of music, he implies that art should serve as a bridge between academic knowledge and personal expression. Learning music is not just about technical precision; it’s about understanding how it speaks to the human condition and how it can move people emotionally.

Ultimately, Stanley Crouch is emphasizing that the goal of learning music—or any art form—is to connect with its deeper aesthetic and emotional significance, rather than just mastering it in an academic sense. He urges artists and students to go beyond the technical aspects of their craft and to understand the profound meaning that art can hold in reflecting and expressing the complexities of human life.

Stanley Crouch
Stanley Crouch

American - Critic Born: December 14, 1945

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