I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.

I wanted to be a cartoonist,
I wanted to be a cartoonist,
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
I wanted to be a cartoonist,
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
I wanted to be a cartoonist,
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
I wanted to be a cartoonist,
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
I wanted to be a cartoonist,
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
I wanted to be a cartoonist,
I wanted to be a cartoonist,
I wanted to be a cartoonist,
I wanted to be a cartoonist,
I wanted to be a cartoonist,
I wanted to be a cartoonist,

The quote by Bjarke Ingels, “I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture,” reflects his unexpected but transformative journey into the world of architecture. Initially drawn to the imaginative and narrative-driven world of cartooning, Ingels turned to architecture school as an alternative, not realizing at first that it would become his true passion. His use of the phrase “smitten by architecture” suggests a deep, almost romantic attachment that developed once he discovered the creative and intellectual possibilities of the field.

Ingels’s background in visual storytelling helped shape his unique approach to architecture, where design, narrative, and user experience are closely intertwined. His early interest in cartooning is evident in his use of diagrams, illustrations, and storytelling to communicate complex architectural ideas in a simple and engaging way. This origin story also reveals how architecture can attract people from various creative disciplines and how it encompasses elements of art, technology, and imagination.

As founder of the Bjarke Ingels Group (BIG), Ingels became known for his bold, innovative projects that often challenge conventional architectural norms. Buildings like the 8 House in Copenhagen or Via 57 West in New York exemplify his ability to merge functionality with playfulness, reflecting a mindset shaped by his early cartoonist aspirations. His architecture often tells a story, emphasizing clarity, accessibility, and a sense of fun, much like a well-drawn comic strip.

The origin of this quote is found in interviews and talks where Ingels discusses his creative background and the path that led him to become one of the most influential architects of his generation. It highlights the serendipitous nature of career paths and the idea that architecture—like cartooning—can be a powerful medium for visual expression, problem-solving, and storytelling.

Bjarke Ingels
Bjarke Ingels

Danish - Architect Born: October 2, 1974

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