I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.

I live, therefore I make films.
I live, therefore I make films.
I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.
I live, therefore I make films.
I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.
I live, therefore I make films.
I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.
I live, therefore I make films.
I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.
I live, therefore I make films.
I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.
I live, therefore I make films.
I live, therefore I make films.
I live, therefore I make films.
I live, therefore I make films.
I live, therefore I make films.
I live, therefore I make films.

The quote by Jonas Mekas reflects the deep interconnection between his life and his work, specifically in the realm of filmmaking. Mekas, often referred to as the father of avant-garde cinema, captures the cyclical and symbiotic relationship he has with his craft. For him, making films is not just a career or hobby, but an integral part of his existence. The repetition of "I live, therefore I make films" and "I make films, therefore I live" emphasizes that his life and his art are intertwined in such a way that one cannot exist without the other.

Mekas expresses a profound sense of identity through his work. His mention of home movies points to a personal and intimate approach to filmmaking, where the act of filming his life and surroundings becomes an essential way of documenting and experiencing life itself. His use of "home movies" suggests a return to the everyday, capturing the mundane yet significant moments that make up his personal narrative, making the process of creating films a part of his self-expression and self-discovery.

The quote also touches on the philosophy of life and movement. Mekas equates life with movement, indicating that his artistic practice is a continuous flow, just like life itself. His films are not static; they are dynamic, much like how he perceives the passage of life. For Mekas, the very act of filming is a way of living in the moment, of capturing the fleeting and the transient. His films become a means of preserving life, and through them, he can live beyond the confines of time.

Finally, Mekas's quote serves as a declaration of the importance of artistic creation to personal survival and meaning. It reflects the belief that through art, one can truly understand and engage with the world, shaping one's own existence. This profound connection between life and creation is at the heart of Mekas's approach to filmmaking, positioning it as a vital and essential act of living.

Jonas Mekas
Jonas Mekas

Lithuanian - Director Born: December 24, 1922

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