I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal.
In this quote, Giorgio Moroder discusses his admiration for the music of Disclosure and Skrillex, two influential artists in the electronic music scene. Moroder praises the sounds created by Disclosure, noting that they have a great and appealing style, although he feels their music may not be as adventurous or boundary-pushing as that of Skrillex. He recognizes that while Disclosure’s sound is beautiful, it is Skrillex’s work that stands out for its phenomenal and innovative qualities.
Moroder’s comparison highlights the difference in musical approach between the two artists. He suggests that while Disclosure’s style is pleasing and well-crafted, Skrillex’s music stands out due to its bold, experimental nature. The mention of adventure refers to the risk-taking and creativity that Skrillex brings to his tracks, pushing the limits of what is possible in electronic music, while Disclosure tends to focus on creating more polished, refined sounds.
The origin of this quote comes from Moroder’s perspective as a pioneer in the electronic and dance music scenes. Having contributed significantly to the evolution of electronic music, Moroder is in a unique position to evaluate the works of contemporary artists. His experience gives him the insight to recognize the importance of both beautiful sounds and innovative risks in music.
Ultimately, Moroder’s statement emphasizes the importance of creating unique, beautiful music, while also acknowledging that the most groundbreaking sounds often come from pushing the boundaries of what is expected. His admiration for Skrillex’s phenomenal sounds speaks to the value he places on innovation and the continuous evolution of the electronic music genre.
VHViet Vu Hoang
It’s really cool to see a legend like Moroder still engaged with current artists, but I’m curious—how does his appreciation reflect the generational shifts in electronic music? Is Skrillex’s bombastic style a logical extension of the genre Moroder helped pioneer, or a complete reinvention? And what does he think about how digital production tools have changed what’s possible in sound design compared to his analog era?
VHThien An Vu Huy
While I appreciate Giorgio Moroder's nod to modern producers, I'm intrigued by his implication that Disclosure might be 'less adventurous.' Could it be that subtlety and restraint in production are often underappreciated in today’s musical landscape? Does being adventurous have to be loud and aggressive, or can it be minimal and refined? I’d love to hear more on how innovation manifests across different styles of electronic music.
DHVuong Cong Duc huy
This quote makes me reflect on the evolution of sound and taste. Moroder praises Skrillex’s sound as 'phenomenal'—but I wonder, for someone who pioneered electronic music, what specifically strikes him as phenomenal? Is it the layering, the drops, the energy? Or maybe the cultural impact Skrillex has made? It’d be awesome to hear Moroder break down a track or two and explain what exactly earns his admiration in technical terms.
PADang Phuong Anh
I love that Moroder acknowledges both Disclosure and Skrillex—it shows appreciation for different spectrums within electronic music. But I'm curious: how do we balance complexity with accessibility in music production? Disclosure’s polished sound vs. Skrillex’s chaos might appeal to different moods or audiences. Does adventurousness mean unpredictability, or is it more about originality in production technique? I'd love to know what younger producers can learn from Moroder's viewpoint.
DTDuong Tran
It’s fascinating to hear Giorgio Moroder comment on modern electronic artists like Disclosure and Skrillex, especially considering his legacy in shaping electronic music. I wonder how he defines 'adventurous' in this context. Is it about genre-blending, sound innovation, or cultural risk-taking? It would be interesting to hear what elements he thinks push boundaries today compared to when he was at the forefront of synth-pop innovation decades ago.