I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'

I got into architecture via fine
I got into architecture via fine
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
I got into architecture via fine
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
I got into architecture via fine
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
I got into architecture via fine
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
I got into architecture via fine
I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'
I got into architecture via fine
I got into architecture via fine
I got into architecture via fine
I got into architecture via fine
I got into architecture via fine
I got into architecture via fine

The quote by Peter Marino — "I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning of projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'" — reflects Marino's deeply collaborative approach to architectural design. His background in sculpture and fine arts informs a philosophy where art and architecture are not separate disciplines but integrated forces that shape space together. This fusion is central to his work and helps distinguish his signature style.

Marino emphasizes that he involves artists not as decorative afterthoughts but as creative partners from the project’s earliest stages. By inviting them to contribute to specific elements such as a room, chimney, or even a floating sculpture, he treats the building itself as a kind of living gallery. This approach transforms conventional architectural elements into artistic statements, where every detail is infused with imagination and meaning.

The significance of involving artists from the beginning lies in creating a more organic, cohesive design experience. Marino believes that when artists are brought in early, their work can influence the spatial dynamics, material choices, and emotional resonance of the entire project. This elevates architecture from pure utility to something that stimulates the senses and evokes artistic emotion, echoing his belief that built environments should be both functional and expressive.

The origin of this quote comes from interviews and talks where Peter Marino discusses his design process and creative influences. Known for his high-profile work with luxury brands like Chanel and Dior, Marino consistently blends art, fashion, and architecture in bold and unexpected ways. His quote underscores his mission to challenge the boundaries of traditional architecture by embedding artistic collaboration at the heart of the built environment.

Peter Marino
Peter Marino

American - Architect Born: 1949

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