David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.

The quote "David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny" is from Martin Short, a Canadian-American actor, comedian, and writer, speaking about his relationship with David Lynch, the iconic filmmaker known for his surreal and often unsettling work. Short is reflecting on their near-collaboration in the late 1980s, a time when both were prominent figures in their respective fields—Lynch in film and Short in comedy and television.

Lynch is best known for his distinct filmmaking style, characterized by his blending of the bizarre, the eerie, and the enigmatic, with works like Blue Velvet and the cult TV series Twin Peaks. Short’s mention of having "lots of dinners and lunches" with Lynch highlights their friendship and the casual, yet intimate nature of their relationship. Despite not ultimately collaborating on a film, Short acknowledges Lynch’s unique influence on his own career and creative outlook.

The latter part of the quote speaks to Short's admiration for Lynch, describing him as a "cool, hip guy." Short humorously suggests that the film they were working on—or perhaps the one he is currently discussing—has qualities that are "an homage" to Lynch’s work. This could refer to certain aspects of Lynch's surrealistic style or offbeat humor, which Short has incorporated into his own work, intentionally or otherwise. The implication is that Lynch's distinctive filmmaking influence permeates Short's creative process.

In essence, the quote underscores the deep respect Short has for Lynch and how their potential collaboration would have been a blend of their unique creative visions. It also showcases Short’s humor and self-awareness, as he imagines Lynch finding the eventual product of their connection funny. The mention of homage suggests that Lynch’s work has had a lasting impact on Short's career, despite the fact they never formally worked together on a project.