'Blood Feast' is my favorite of Lewis' films. When we shot 'Serial Mom,' and I showed them the infamous tongue scene, one of the female crew members said, 'I hate when a guy does that.'

John Waters’ quote, "'Blood Feast' is my favorite of Lewis' films. When we shot 'Serial Mom,' and I showed them the infamous tongue scene, one of the female crew members said, 'I hate when a guy does that,'" offers a glimpse into Waters’ unique sense of humor and his appreciation for the shock value and outrageousness in cinema. The mention of "Blood Feast", a notorious 1963 horror film by Herschell Gordon Lewis, signals Waters’ admiration for films that push boundaries and embrace extreme or controversial content. The film is often considered one of the first to push the limits of gore and exploitation, making it a fitting favorite for Waters, who is known for similarly unconventional, boundary-pushing work.

The quote also highlights the tongue scene from "Serial Mom", one of Waters' own films, which is known for its blend of black comedy and campy violence. The scene in question, which involves a character doing something sexually provocative with their tongue, clearly struck a chord with one of the female crew members, leading her to express discomfort. The comment, "I hate when a guy does that," adds a layer of commentary on the gender dynamics of certain acts and behaviors, suggesting that the scene might have evoked a sense of unease, perhaps due to its sexual nature or the way it was portrayed in the context of the film.

Waters’ quote offers insight into his view on cinema—a world where subversive and provocative imagery is often used to challenge societal norms. By juxtaposing his admiration for "Blood Feast" with the reactions to his own work in "Serial Mom", he highlights how personal preferences and cultural taboos around violence and sexuality can create strong emotional responses among audiences and filmmakers alike. Waters has built a career around the idea of confronting uncomfortable topics and defying conventional sensibilities.

In essence, this quote speaks to the provocative nature of Waters' work, rooted in his love for shock cinema and his ability to evoke both laughter and discomfort. It also reflects how films in the cult or exploitation genre often blur the lines between humor, violence, and sexuality, sparking different reactions depending on one’s perspective or cultural conditioning.