And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.

The quote by John Guare uses the symbolism of Easter Sunday to describe the vitality of the New York City Ballet. Easter traditionally represents resurrection, renewal, and life, and Guare applies this imagery to the ballet, portraying it as an art form that is always fresh, alive, and full of energy. By saying “it is always coming back to life,” he highlights the timelessness and vitality of the performances.

Guare then takes the metaphor further by stating that the ballet is not merely “coming back to life” but rather that “it lives in the constant present.” This suggests that every performance is a unique, living moment that exists fully in the now, beyond the past or future. The ballet embodies a state of continuous creativity, where each show feels like a rebirth and renewal, much like the symbolic meaning of Easter.

The quote also reflects Guare’s appreciation for the arts as a source of eternal vitality. Unlike other forms of entertainment that may age or fade, he sees the New York City Ballet as an institution that constantly rejuvenates itself through performance, movement, and artistic expression. The connection to Easter reinforces the spiritual and transcendent nature of live art, which brings audiences into a shared moment of renewal.

The origin of this quote comes from John Guare, a celebrated American playwright known for works such as The House of Blue Leaves and Six Degrees of Separation. As someone deeply engaged in the theater and performing arts, Guare often reflects on the transformative power of live performance. His description of the New York City Ballet reflects his belief in the immediacy and resurrecting force of art, which, like Easter, is always alive and ever-renewing.